Hochschule für Bildende Künste–Städelschule, Druckwerkstatt, Frankfurt am Main, Hesse, Germany

FAG Control 525-MRS

Christian Zickler on the FAG Control 525-MRS  ‹Introductory courses for students in letterpress printing are held at the machine twice a year, with a focus on cliches (Nyloprint polymer plates) and woodblock printing.›

About this press

Druckquartier, Würzburg, Germany

FAG Standard 510

About this press

Mats Broberg

FAG Swiss Proof 40

About this press

Offizin Haag-Drugulin

FAG Swiss Proof 52

About this press

Atelier S8, Sandnes, Norway

FAG Control 835

Knut Ketil Oftedahl on the FAG Control 835  ‹Press currently undergoing repair/restoration.›

About this press

Kae Carlstedt-Duke

FAG Swiss Proof 40

Kae Carlstedt-Duke on the FAG Swiss Proof 40  ‹conversation from 3 phase to single phase›

About this press

The Blue Print Press, Vittorio Veneto, Italy, Italy

FAG Standard 510

About this press

Giancarlo Mino’s studio, Lausanne, Switzerland

FAG Swiss Proof 40

About this press

TYPA, Tartu, Estonia

FAG Standard 550

Charlotte Biszewski on the FAG Standard 550  ‹The adjustable bed is particularly useful as in our museum we have Soviet type and European type - being 25,1 mm and 23,6 mm in our collection.›

About this press

tellus grafik, Stockholm, Sweden

FAG Control 405

Jenny Olsson on the FAG Control 405  ‹On our FAG Control 405 we print texts and images from lead and wooden types. We also make cliches out of laser cut wood and photopolymer materials as well as traditional woodcuts.›

About this press

St.Joost School of Art and Design, Breda, Netherlands

FAG Control 839

About this press

St.Joost School of Art and Design, Breda, Netherlands

FAG Control 525

About this press

St.Joost School of Art and Design, Breda, Netherlands

FAG Control 405

About this press

So-Helsinki, Helsinki, Finland

FAG Swiss Proof 40

Ilkka Kärkkäinen on the FAG Swiss Proof 40  ‹I found this press from the old warehouse where it has been about 20 years. I dont know anything about the origin of this machine. The condition was’n so good; dirt and grease was everywhere and the feeding table was missing. But i bought it and clean it and now its in my studio. I’m learning more and more everyday and i have been already been printing some art prints and a serie of prints where i combined giclée printed photos and letterpress. I’m using the machine about once or twice a week...›

About this press

Hans-Ulrich Frey

FAG Swiss Proof 52

About this press

Whittington Press, Gloucestershire, United Kingdom

FAG Swiss Proof 40

Pat Randle on the FAG Swiss Proof 40  ‹The 04.04.014 was moved to Whittington from a nearby shed. We have spent some time working on de-rusting and cleaning each component to get it back to full working order. We are currently waiting for 3-phase to be installed before using for the first time in 20 years.›

SP-40 in position at the Press…
SP-40 in position at the Press…
…and where we found it - at the back of an artists shed!
…and where we found it - at the back of an artists shed!
Both rollers had melted over the bed and the metal had rusted badly.
Both rollers had melted over the bed and the metal had rusted badly.
Every part was dismantled and cleaned thoroughly
Every part was dismantled and cleaned thoroughly
The metal rollers have 'pitted' and some marks have been left on the bed after sanding though to touch it feels smooth.
The metal rollers have 'pitted' and some marks have been left on the bed after sanding though to touch it feels smooth.

About this press

Lis v lomu, Prague, Czechia

About this press

Evergreen Press, Stonehouse, Gloucestershire, United Kingdom

FAG Swiss Proof 40

John Grice on the FAG Swiss Proof 40  ‹Just about anything, everyday.›

About this press

Buchatelier Markus & Birgit Müller, Bubendorf, Switzerland

FAG Control 835

Markus Müller on the FAG Control 835  ‹This press is used for proofing and production.›

04.03.021 at Buchatelier MM in Bubendorf, 2012
04.03.021 at Buchatelier MM in Bubendorf, 2012

About this press

HBKsaar, Saarbrücken, Germany

FAG Control 405

Indra Kupferschmid on the FAG Control 405  ‹We mostly use this press for poster works, invitation cards, artistic printing. The automatic wash-up blade has been disassembled.›

04.02.027 at HBKSaar, 2012
04.02.027 at HBKSaar, 2012
04.02.027 at HBKSaar, 2012
04.02.027 at HBKSaar, 2012
Machine number 027 of the second series
Machine number 027 of the second series

About this press

Billy Ben, Fribourg, Switzerland

FAG Swiss Proof 40

About this press

OFFICINA HELVETICA, Biel, Switzerland

FAG Control 405

About this press

OFFICINA HELVETICA, Biel, Switzerland

FAG Control 525

About this press

OFFICINA HELVETICA, Biel, Switzerland

FAG Control 900

About this press

Hofer, Kent, United Kingdom

FAG Standard 550

Davina Schluttenhofer on the FAG Standard 550  ‹I have indicated that the press is a CP 550 as this is as close as I can find in the drop down list. The plate states that it is a CP 50.

The press is mostly used to print small scale work at the moment; greetings cards and occasionally larger scale print work when using wooden type.

I try to use her every day, less so in the winter months.›

About this press

Druckwerkstatt Muthesius Kunsthochschule, Kiel, Germany

FAG Standard 510

Roland Spreth on the FAG Standard 510  ‹We use this press in our classes in Typography and Communication Design where we teach our students metal composition and printing.›

15182 at our printshop at Muthesius Kunsthochschule in Kiel, 2017
15182 at our printshop at Muthesius Kunsthochschule in Kiel, 2017

About this press

Verein Weiss- und Schwarzkunst, Hochdorf, Switzerland

FAG Swiss Proof 40

About this press

Miriam Grech-Cumbo, Johannesburg, South Africa

FAG Control 525

About this press

Manufaktur Neublei, Kassel, Germany

FAG Standard 510

About this press

Mediadesign Hochschule Berlin, Berlin, Germany

FAG Standard 510

About this press

Die Lettertypen, Berlin, Germany

FAG Standard 510

About this press

Die Lettertypen, Berlin, Germany

FAG Standard 510

About this press

P98a, Berlin, Germany

FAG Swiss Proof 52

About this press

P98a, Berlin, Germany

FAG Standard 510

The first press in the image is the FAG Standard 14857 at P98a, 2014.
The first press in the image is the FAG Standard 14857 at P98a, 2014.

About this press

P98a, Berlin, Germany

FAG Standard 550

The second FAG Standard in the image is the 14946.
The second FAG Standard in the image is the 14946.

About this press

Atelier de la Cerisaie, Paris, France

FAG Swiss Proof 52

06.01.095 at Atelier de la Cerisaie, 2017
06.01.095 at Atelier de la Cerisaie, 2017

About this press

Chiemgauer Stahlstich Manufaktur, Gstadt am Chiemsee, Germany

FAG Standard 510

About this press

Tiliqua Press, St Peters, New South Wales, Australia

FAG Swiss Proof 40

The Tiliqua Press FAG-Swiss-Proof-40
The Tiliqua Press FAG-Swiss-Proof-40

About this press

Konstnärs Kollektiv Verkstan Göteborg, Göteborg, Sweden

FAG Swiss Proof 40

Barrie Sutcliffe on the FAG Swiss Proof 40  ‹This press was recently donated to KKV Göteborg by the Valand Academy of fine arts after they downsized their print workshop. The press remains to be examined, assembled, and installed so we still do not have full information on its features. We hope to have it up and running by Fall 2016.›

About this press

Anonima Impressori, Bologna, Italy

FAG Control 800

Luca Lattuga on the FAG Control 800  ‹Press founded in Vicchio (Firenze) from Tipografia FG. We use it for printing posters and books. Builted for italian type height (24.80 mm).›

About this press

Werkstatt Höflich, München, Germany

FAG Swiss Proof 40

About this press

Alan Qualtrough, Plymouth, United Kingdom

FAG Control 405

About this press

Begiaundi Press, San Sebastian, Spain

FAG Control 405

Jose Luis Lanzagorta on the FAG Control 405  ‹We have this press since 2015. It comes from Zurich, but we have no further information about it in the past. We use it to print limited edtion posters with wood and lead type, as well as MDF, cardboard, plexiglass and other materials.›

About this press

Plymouth College of Art, Plymouth, Devon, United Kingdom

FAG Control 405

India Wilkins on the FAG Control 405  ‹It is used for printing metal and wood type. It is a bit quirky, sometimes the buttons don't seem to work and you have to press them a few times to make them kick in.›

About this press

Abteilung Druckgrafik/ Institute for Graphics and Printmaking, University of Applied Arts, Vienna, Austria

FAG Standard 550

About this press

Schule für Gestaltung Bern und Biel, Biel, Switzerland

FAG Swiss Proof 40

Marc Zaugg on the FAG Swiss Proof 40  ‹We use this press in our letterpress classes at Schule für Gestaltung Bern und Biel. We also have 2 Vandercook proof presses and some lead and wood type. But we also use hand cuts and laser cuts to produce our designs.›

About this press

Papiermühle Basel, Basel, Switzerland

FAG Swiss Proof 52

Stefan Meier on the FAG Swiss Proof 52  ‹Though temporarily in storage now, we used this press to print chromatic wood cuts for editions. Since the renovation and reorganisation of the printing department at Papiermühle Basel in 2011, this press has been put in our storage for later use.›

06.01.201 in use at Papiermühle Basel
06.01.201 in use at Papiermühle Basel
Temporarily storage
Temporarily storage

About this press

Offizin Haag-Drugulin, Dresden, Germany

FAG Swiss Proof 52

About this press

cascioeditore, Lugano, Switzerland

FAG Control 525-MRS

About this press

Carissimo Letterpress, Vienna, Austria

FAG Control 405

Alessandro Carissimo on the FAG Control 405  ‹We use this press mainly for printing with our wood type and for bigger formats like posters. We lovingly baptized her Sofia Loren. We also own a Leizig Phönix printing press, called Maria Addolorata. Together they are a perfect team!›

Sofia Loren
Sofia Loren
Sofia Loren
Sofia Loren

About this press

Museum für Druckkunst, Leipzig, Germany

FAG Control 405

Left: Our FAG Control 405, Right: Our FAG Standard 510
Left: Our FAG Control 405, Right: Our FAG Standard 510

About this press

Museum für Druckkunst, Leipzig, Germany

FAG Standard 510

About this press

Museum für Druckkunst, Leipzig, Germany

FAG Control 525-MRS

About this press

Le Solitaire, Alizay, France

FAG Control 525

About this press

Letterpress Corner, Ghent, Belgium

FAG Standard 510

Armina Ghazaryan on the FAG Standard 510  ‹I use it for proofing during the design process, for production of posters and artistic printing.›

at my studio in Gent. 2015
at my studio in Gent. 2015

About this press

HKB Druckatelier, Bern, Switzerland

FAG Control 405

Ursula Jakob on the FAG Control 405  ‹We use this press for artistic printmaking projects with our students.›

02.06.055 at the printmaking workshop of HKB, 2015
02.06.055 at the printmaking workshop of HKB, 2015

About this press

HKB Druckatelier, Bern, Switzerland

FAG Swiss Proof 40

Ursula Jakob on the FAG Swiss Proof 40  ‹We use this press for artistic printmaking projects with our students.›

04.04.243 at the printmaking workshop of HKB, 2015
04.04.243 at the printmaking workshop of HKB, 2015

About this press

HKB Druckatelier, Bern, Switzerland

FAG Swiss Proof 40

Ursula Jakob on the FAG Swiss Proof 40  ‹We use this press for artistic printmaking projects with our students.›

04.04.221 at the printmaking workshop of HKB, 2015
04.04.221 at the printmaking workshop of HKB, 2015

About this press

Rainbow, Sachsen, Germany

FAG Control 405

during Colored Gigs Festival 2014
during Colored Gigs Festival 2014

About this press

Slow Print, Helmond, Netherlands

FAG Standard 550

Jan-Willem van der Looij on the FAG Standard 550  ‹Just love my FAG press it is so versatile. I mainly print with wooden type and now and than with lead type.›

FAG AP 550
FAG AP 550

About this press

Au Chiffon d'encre, Meslin-l'Evêque, Belgium

FAG Control 800

Michel Xavier on the FAG Control 800  ‹I bought this press as a second owner in 2001. It had a lot of surface rust when I go it. I did some restorations on it and I repainted the machine black.

I use this press on a daily base in my studio. Besides of the FAG Control 800, I also use a Heidelberg KSBA, a tabletop LMW American No.8, a Dainippon Screen KF 124-GL (that is pretty similar to the FAG), a Krause litho press and a huge Julien litho press and an Artley gravure press.›

FAG Control 800 (15314), 2014
FAG Control 800 (15314), 2014
Rollers on the cleaning unit.
Rollers on the cleaning unit.

About this press

Atelier Dugrip-Picard-Jacomet, Sète, France

FAG Swiss Proof 52

About this press

Grafička radionica ABAco, Nova Gradiska, Croatia

FAG Control 525

Kristijan Abramovic on the FAG Control 525  ‹The press is located in Nova Gradiska, Croatia, at our printing shop named ABAco. We imported it from Osterreich in 1993 and use it since then.›

About this press

Matijevic Blister, Gornji Milanovac, Serbia

FAG Control 525

Dusan Matijevic on the FAG Control 525  ‹This press is used for cutting plastic sheets. We bought it in June 2013 from our friend. Before us, he used it for graphic printing.›

Grippers have been removed on this press.
Grippers have been removed on this press.

About this press

Strong Arm Press, Brisbane, Australia

FAG Control 405

Our FAG Control 405 at the Strong Arm Press, 2014.
Our FAG Control 405 at the Strong Arm Press, 2014.
Transportation of the press in early 2013.
Transportation of the press in early 2013.

About this press

Taller Experimental de Gráfica, La Habana, Cuba

FAG Swiss Proof 52

Photos courtesy Luis Miguel Valdes www.lasiemprehabana.com
Photos courtesy Luis Miguel Valdes www.lasiemprehabana.com

About this press

The Print Faculty, Cheltenham, United Kingdom

FAG Control 405

Tom Mayo on the FAG Control 405  ‹The press is used for a variety of jobs on a daily basis, producing posters, cards and other ephemera printed from lead and wood type, and occasionally laser cut letter forms and photopolymer plates.›

About this press

The Finnish Labour Museum Werstas, Tampere, Finland

FAG Swiss Proof 40

Kimmo Kestinen on the FAG Swiss Proof 40  ‹It is used mostly for posters etc. The machine is a part of semipermanent exhibition about printing presses of the 1950's. It is a part of a larger exhibition «Our town», which is about doing all sorts of things together. The press was important media for the Labour movement. What is significant, that this part of the exhibition is «living», that is, you can see all sorts of printing press activities in real life using the same methods that were in use in letterpresses. This exhibition has gained some interest in modern typographers also.›

04.04.193 at the Finnish Labour Museum Werstas
04.04.193 at the Finnish Labour Museum Werstas
Pressman Raimo Rajala with the FAG Swiss Proof 40, 2014
Pressman Raimo Rajala with the FAG Swiss Proof 40, 2014
Pressman Raimo Rajala with the FAG Swiss Proof 40, 2014
Pressman Raimo Rajala with the FAG Swiss Proof 40, 2014

About this press

The Carpathian Press, Berkshire, United Kingdom

FAG Swiss Proof 40

About this press

Schuldruckerei der Wolfbuschschule, Stuttgart, Germany

FAG Standard 550

Werner Schaal on the FAG Standard 550  ‹Our school decided under aprovement of the parents' association to buy this press for 2'500DM back in 1985. We mostly use this press for image imprints in text books and for our christmas cards.›

7838 at Wolfbuschschule Stuttgard, 2014
7838 at Wolfbuschschule Stuttgard, 2014
The serial number on this press doesn't give exact information if it is a Standard 550 oder a Standard 510
The serial number on this press doesn't give exact information if it is a Standard 550 oder a Standard 510

About this press

Tehniški Muzej Slovenije, Ljubljana, Slovenia

FAG Control 525

Martina Orehovec on the FAG Control 525  ‹This is our FAG printing press from the collection of the printing department in Technical museum of Slovenia in Ljubljana.›

About this press

Eric Andersen, Zürich, Switzerland

FAG Standard 550

TP-550 at my Studio in Zurich, 2013.
TP-550 at my Studio in Zurich, 2013.

About this press

La Chose Typo, Clermont-Ferrand, France

FAG Control 839

Xavier Zwiller on the FAG Control 839  ‹I bought this press in 2013 from some passionated typographers in a close region from Auvergne (FR). These people had problems to install the press in their studio so it lay dismantled in storage. I hired a transporter and it took me quite some time to properly install the press and get it working. Now it is a real pleasure to print some posters on it!›

About this press

Atelier It Plein 19, Easterlittens, Netherlands

FAG Standard 510

About this press

Clondalkin, Dublin, Ireland

FAG Control 405

Larry Byrne on the FAG Control 405  ‹Used every day to proof letter press plates.›

02.07.114 at Clondalkin in Dublin, 2014
02.07.114 at Clondalkin in Dublin, 2014

About this press

Glasgow School of Art, Glasgow, Scotland, United Kingdom

FAG Control 525

Pickstone Edwin on the FAG Control 525  ‹The press is part of the Caseroom Letterpress Facility used primarily by students of the Communication Design Department but is available for use by any student at The Glasgow School of Art. This press is the most used in our collection, primarily to print wood and metal type but also laser-cut materials, photopolymer, 3d printed objects, lino and woodcuts, collographs and anything else that can be made up to type height!›

03.06.056 at Glasgow School of Art, 2014
03.06.056 at Glasgow School of Art, 2014
The press from outside the brand new building in 2014.
The press from outside the brand new building in 2014.
DAS – Split steel rider unit for 2 colour work.
DAS – Split steel rider unit for 2 colour work.

About this press

Lilla Tryckeriet, Stockholm, Sweden

FAG Control 405

John Losciale on the FAG Control 405  ‹I bougth this press in early 2014. It´s still in a garage dismantled. I'm looking for a new place in Stockholm where I can house both the machines (I have a windmill too) and my designstudio›

403078 at the previous owners place in Stockholm, 2014.
403078 at the previous owners place in Stockholm, 2014.

About this press

Book Art Museum, Lodz, Poland

FAG under license

Pawel Tryzno on the FAG under license  ‹According to Mr. Grebien (Former Chief Engineer at FAG Manufactury Avenches) FAG once had a deal with Korrex that if someone would order a press that had to be bigger than the FAG Control 900, they would deliver a Korrex Hamburg Kraft (thats the name of this model) and label it with a FAG plaquette.

So this press is actually a Korrex Hamburg Kraft labeled as a FAG.›

FAG / Korrex Hamburg Kraft at Book Art Museum, Lodz, 2012.
FAG / Korrex Hamburg Kraft at Book Art Museum, Lodz, 2012.

About this press

Typorama, Bischofszell, Switzerland

FAG Control 405

Paul Wirth on the FAG Control 405  ‹We use this press quite often at Typorama for small editions of prints. Just now we're planning a small Knigge-Series in 5 volumes in an edition of 30 booklets each, 32 to 48 pages each.›

FAG Control 405 at Typorama Bischofszell, 2013
FAG Control 405 at Typorama Bischofszell, 2013

About this press

Typorama, Bischofszell, Switzerland

FAG Standard 505

Paul Wirth on the FAG Standard 505  ‹We got this press in 1983 from the «Maschinensetzerschule» in Luzern. We are in the process of setting up a section to teach children to typeset at Typorama. This is where we're gonna use this press.›

FAG Standard 505 at Typorama in Bischofszell, 2013
FAG Standard 505 at Typorama in Bischofszell, 2013

About this press

PoliphilusPresse, Gloggnitz, Austria, Austria

FAG Standard 550

About this press

Stamperia 74b, Milano, Italy

FAG Control 405

Gianluca Craca on the FAG Control 405  ‹As a print studio, we're using this press in many different ways, based on the idea of the artist that could be a typographic poster or a xilography with many colors. But, most of the time, we simply use it as a table! In general the objective of a FAG is to create editions of many copies and this doesn't happen really often. But all the time that's a chance, we're so happy to race it!›

At Stamperia 74b, 2013
At Stamperia 74b, 2013
The cover plate of the adjustable bed is missing.
The cover plate of the adjustable bed is missing.

About this press

Cambridge School of Art, Cambridge, United Kingdom

FAG Swiss Proof 40

Elizabeth Fraser on the FAG Swiss Proof 40  ‹This press in in the letterpress print room at Cambridge School of Art, Anglia Ruskin University in Cambridge UK. It is used by undergraduate and postgrad students of all art disciplines. We also have a Farley proof press and an Albion›

About this press

Andante Handpresse, Berlin-Friedrichshagen, Germany

FAG Control 405

Peter Rensch on the FAG Control 405  ‹I bought this press in 1987. I mainly print my own artist books, using handset metal type and woodcuts. I also print single-sheet art prints for myself and in commission for other artists. The press has been moved three times. You can see the traces of daily use on the press.›

16652 at my studio in Berlin-Friedrichshafen, 2013
16652 at my studio in Berlin-Friedrichshafen, 2013
MF stands for marbre-fix – which means fixed press bed.
MF stands for marbre-fix – which means fixed press bed.

About this press

Someone.ca, Toronto, Ontario, Canada

FAG Standard 550

Aaron Benson on the FAG Standard 550  ‹We use the Fag Standard on a daily basis in our storefront shop in Toronto - someone.ca

We use it for posters, business cards, invitations, announcements and literary ephemera.›

About this press

Familia Plomez, Madrid, Spain

FAG Standard 550

Familia Plomez on the FAG Standard 550  ‹We use this press to make posters.›

21 May 2013 printing an alphabet
21 May 2013 printing an alphabet
21 May 2013 printing an alphabet
21 May 2013 printing an alphabet
21 May 2013 printing an alphabet
21 May 2013 printing an alphabet
21 May 2013 printing an alphabet
21 May 2013 printing an alphabet
21 May 2013 printing an alphabet
21 May 2013 printing an alphabet

About this press

SKISS GmbH, Emmenbrücke/Luzern, Switzerland

FAG Standard 550

About this press

Letterpress.fr, Paris, France

FAG Standard 550

12017 at Atelier Weidmann in Basel, before transportation in March 2013.
12017 at Atelier Weidmann in Basel, before transportation in March 2013.
Transportation
Transportation
The crane ship that is going to load the press into our studio.
The crane ship that is going to load the press into our studio.
Lifting it down into our studio!
Lifting it down into our studio!

About this press

University for the Creative Arts, Epsom, Surrey, United Kingdom

FAG Swiss Proof 52

Detail
Detail

About this press

Satzwerstatt Solothurn, Solothurn, Switzerland

FAG Swiss Proof 52

Arthur Fischbach on the FAG Swiss Proof 52  ‹We use this press to print experimental typo layouts in the size of A2. We bought this press in 2002 from a printshop in Basel that went out of business.›

06.01.094 at Satzwerkstatt Solothurn, 2013
06.01.094 at Satzwerkstatt Solothurn, 2013

About this press

Satzwerstatt Solothurn, Solothurn, Switzerland

FAG Standard 550

Arthur Fischbach on the FAG Standard 550  ‹We use this press to print smaller cards and diplomas up to the format A3. We use it in our guided tours for visitors to print their names as a souvenir.›

15231 at Satzwerkstatt Solothurn, 2013
15231 at Satzwerkstatt Solothurn, 2013

About this press

Raphaël Leleufre, Paris, France

FAG Control 900

Transportation of the 05.04.070 early in 2012.
Transportation of the 05.04.070 early in 2012.
Motor of the ink duct with distributor!
Motor of the ink duct with distributor!
Someone added an impression counter to this press.
Someone added an impression counter to this press.

About this press

Central Saint Martins, University of the Arts London, London, United Kingdom

FAG Control 405

Phil Baines on the FAG Control 405  ‹The press is used to print students work and has been the main press in the college’s letterpress room for 30 years at least. In more recent years we have added a Vandercook, a Heidelberg Platten, and a couple of Adanas.›

Fourth location in the last 30 years.
Fourth location in the last 30 years.
Bed adjustment dial
Bed adjustment dial
Build plate
Build plate

About this press

Horus Kunstmalerei GmbH, Hamburg, Germany

FAG Swiss Proof 52

06.02.079 at Horus Kunstmalerei GmbH, 2013
06.02.079 at Horus Kunstmalerei GmbH, 2013

About this press

Martin Thönen, Atelier TypoPresse + Holzschnittatelier, Bern + Schmitten, Switzerland

FAG Control 525-MRS

Martin Thönen on the FAG Control 525-MRS  ‹The Control 525-MRS is situatet at my studio in Schmitten, Canton Fribourg, Switzerland.

I use my presses to print wood cuts, wood cut calendars, wood cut cards, artists books, artists portfolios, wood cut catalogs, invitationcards and posters for exhibitions.›

The Control 525-MRS at my studio in Schmitten, Canton Fribourg, Switzerland, 2013
The Control 525-MRS at my studio in Schmitten, Canton Fribourg, Switzerland, 2013

About this press

Martin Thönen, Atelier TypoPresse + Holzschnittatelier, Bern + Schmitten, Switzerland

FAG Swiss Proof 52

Martin Thönen on the FAG Swiss Proof 52  ‹I bought this press new in 1973. The Swiss Proof 52 is situatet at my wood cut studio in Bern, Switzerland.

I use my presses to print wood cuts, wood cut calendars, wood cut cards, artists books, artists portfolios, wood cut catalogs, invitationcards and posters for exhibitions.›

The Swiss Proof 52 at my wood cut studio in Bern, Switzerland, 2012
The Swiss Proof 52 at my wood cut studio in Bern, Switzerland, 2012
This is machine number 74 of the first serie.
This is machine number 74 of the first serie.

About this press

Martin Thönen, Atelier TypoPresse + Holzschnittatelier, Bern + Schmitten, Switzerland

FAG Control 835

Martin Thönen on the FAG Control 835  ‹The Control 835 is situatet at my studio in Schmitten, Canton Fribourg, Switzerland.

I use my presses to print wood cuts, wood cut calendars, wood cut cards, artists books, artists portfolios, wood cut catalogs, invitationcards and posters for exhibitions.›

12907 at Atelier Edition TypoPresse, 2013
12907 at Atelier Edition TypoPresse, 2013
Wood cut on that press
Wood cut on that press

About this press

De Uitvreter, Winterswijk-Woold, Netherlands

FAG Swiss Proof 40

Kees Thomassen on the FAG Swiss Proof 40  ‹Originally the press is made for 380 volt, this is changed in 220 volt›

About this press

The Tilbury Press, Sydney, Australia

FAG Standard 550

Matthew Tilbury on the FAG Standard 550  ‹I picked this press up (in had been dormant for 20 years) from an engravers in Sydney. Only got two sets of rollers unfortunately but other than that I believe it's complete.›

About this press

Museum für Druckgrafik, Rankweil, Austria

FAG Swiss Proof 40

Markus Gell on the FAG Swiss Proof 40  ‹I use this press to print linocuts and woodcuts for artists. I bought this press in 1998 from a junk dealer. This press probably came from Slovenia back then...›

About this press

Museum für Druckgrafik, Rankweil, Austria

FAG Control 835

Markus Gell on the FAG Control 835  ‹I use the Control 835 for printing woodcuts and linocuts for artists. Sometimes also in the combination with leadtype.
I got this press in the year 2000 from «Druckerei Fehr» in Adliswil, Switzerland.›

About this press

Edition Eupalinos, Schaan, Liechtenstein

FAG Control 900

Hansjörg Quaderer on the FAG Control 900  ‹I got this press 30 years ago from BVD, Vaduz. I moved this heavy piece three times – definitely the last time in the year 2000 when I built my studio around this press...
I use the FAG Control 900 for woodcuts and general letterpress prints.›

05.03.020 at Edition Eupalinos in Schaan, 2013
05.03.020 at Edition Eupalinos in Schaan, 2013

About this press

Escola Massana, Barcelona, Spain

FAG Control 405

Iñaki Granell on the FAG Control 405  ‹At the Escola Massana, Arts & Design Center in Barcelona since 1929, we use our FAG Control 405 for proofing our letterpress compositions, linocut and photopolymer plates in Typography, one of the main subjects in Graphic Design Vocational Training Degree.
It works as its very first day and it's already part of our family here. "She" is very much appreciated by the students, who have the opportunity of experiencing on traditional letterpress, which today is pedagogically invaluable in the digital environment of our craft.›

02.04.023 at the pressroom, 2013.
02.04.023 at the pressroom, 2013.
Rollers closeup.
Rollers closeup.
Model plaquette.
Model plaquette.

About this press

Museum der Arbeit, Hamburg, Germany

FAG Standard 510

Helmut Bohlmann on the FAG Standard 510  ‹We use this press mainly to print woodcuts and linocuts, but also for handset forms with school projects.›

FAG Standard 10475 at Museum of Work, 2013
FAG Standard 10475 at Museum of Work, 2013

About this press

Met Regelmaat, 's-Hertogenbosch, Noord Brabant, Netherlands

FAG Control 405

About this press

ARTE - Maeght Editeur, PARIS, France

FAG Control 900

Maeght Jules on the FAG Control 900  ‹we use this press to print limited signed editions. for example:
http://www.maeght.com/editions/article.asp?id_categorie=4&id=3325›

About this press

F+F, Zürich, Switzerland

FAG Control 405

FAG Control 405 (40350) at F+F, Zürich
FAG Control 405 (40350) at F+F, Zürich
Serial number on the side of the pressbed.
Serial number on the side of the pressbed.

About this press

F+F, Zürich, Switzerland

FAG Standard 510

FAG Standard Tp-550 (6890) at F+F, 2012
FAG Standard Tp-550 (6890) at F+F, 2012
Serial number on the side of the pressbed.
Serial number on the side of the pressbed.

About this press

Hermann Bob Gelzer, Lenzburg, Switzerland

FAG Control 405

Hermann Bob Gelzer on the FAG Control 405  ‹I got this press around 2002 from an old printshop that went out of business near Bern, Switzerland. I use this press for my experimental woodcuts and monotypings.›

FAG Control 403060, 2012
FAG Control 403060, 2012

About this press

Umtrieb, Kiel, Germany

FAG Standard 510

Katharina Jesdinsky on the FAG Standard 510  ‹I found this press in a hobby room in a suburb of Hamburg. I bougth it in 2008 for 80 Euros! I mainly use the TP-510 for small editions and certificates, but also for dust jackets and smaller posterjobs.›

TP-510 at Umtrieb, 2012
TP-510 at Umtrieb, 2012

About this press

edition carpe plumbum, Leipzig, Germany

FAG Standard 510

Thomas Siemon on the FAG Standard 510  ‹I usually use this press as a proof press when working with type or linotype or for small edition. Nice simple press without electric trouble.›

FAG presses and member of staff
FAG presses and member of staff
FAG Standard and member of staff
FAG Standard and member of staff
FAG Standard detail
FAG Standard detail

About this press

edition carpe plumbum, Leipzig, Germany

FAG Control 525

Thomas Siemon on the FAG Control 525  ‹I use this press regularly for small editions of wood and linocuts. Especially with woodcuts the adjustable bed is helpful.
I had quite some trouble with the electrics of this machine the old relais seem to be the problem. After cleaning them it works fine.›

control 5252_detail
control 5252_detail
control 525
control 525

About this press

edition carpe plumbum, Leipzig, Germany

FAG Control 839

Thomas Siemon on the FAG Control 839  ‹I use this press regularly for small editions of wood and linocuts.
It came from Atelier Weidman in Basel and I had an interesting discussion withe the german custom guys when I brought it to Leipzig. They thought it might be a very valuable peace of "high-tech"...›

fag839_detail
fag839_detail
fag839 and member of staff
fag839 and member of staff
fag839_detail
fag839_detail

About this press

Buchatelier Markus & Birgit Müller, Bubendorf, Switzerland

FAG Control 835

Markus Müller on the FAG Control 835  ‹We use this press to print large woodcuts.›

15061 at Buchatelier MM in Bubendorf, 2012
15061 at Buchatelier MM in Bubendorf, 2012

About this press

Slowtype, 67067 Ludwigshafen, Germany

FAG Swiss Proof 40

FAG_Image1
FAG_Image1
FAG_Label
FAG_Label

About this press

Romano Hänni, Studio for Design, Letterpress Shop, Basel, Switzerland

FAG Control 405

Romano Hänni on the FAG Control 405  ‹This press is used for printing hand composed letterpress work and woodcuts. Originally the press was with cylinder drive and motor. It has been changed to hand crank in 1983.›

FAG Control 405, inked with blue, composing with brass lines, ready for printing.
FAG Control 405, inked with blue, composing with brass lines, ready for printing.

About this press

London Centre for Book Arts, London, United Kingdom

FAG Swiss Proof 40

Simon Goode on the FAG Swiss Proof 40  ‹Originally belonging to the Nautilus Press and Paper Mill until the late 90s, LCBA acquired this FAG SP-40 in 2011.

Used for general proofing and production work in the studio, as well as teaching, the press is also available to hire.›

04.04.144 at London Centre for Book Arts, 2012
04.04.144 at London Centre for Book Arts, 2012

About this press

Union Street Printmakers, Adelaide, Australia

FAG Standard 510

Simone Tippett on the FAG Standard 510  ‹Obtained press recently. Currently restoring it.›

Press before restoration
Press before restoration

About this press

Maschinenraum, Berlin, Germany

FAG Control 839

About this press

El Calotipo Printing Studio, Zaragoza, Spain

FAG Control 405

About this press

Graficki Atelje Mrakuzic, 10430 Samobor, Croatia

FAG Control 405

situation origin
situation origin

About this press

Ink Spot Press, Brighton, United Kingdom

FAG Swiss Proof 40

Les Ellis on the FAG Swiss Proof 40  ‹It is used for teaching people who wish to learn letterpress printing. When they are proficient, such people use the press to print art, art booklets, poem books whenever they book the facilities. The press can be used on several days or evenings and at present a week long summer school is taking place.›

About this press

Maschinenraum, Berlin, Germany

FAG Control 405

About this press

Tasmania Polytechnic, Hobart, Tasmania, Australia

FAG Control 405

Gilbert Bantoft on the FAG Control 405  ‹We use it for printing Lino cuts, Photopolymer plates and conventional letterpress type.
We find it useful for reduction prints from Lino as the registration is spot on. I run evening classes in letterpress and besides the Fag we have a Chandler & Price 15x10, a Vandercook No 17 press, 3 Adana 5x3, 2 Adana 8x5 and a Heidelberg Platen. The FAG is our most used press.›

About this press

Druckwerkstatt, Lenzburg, Switzerland

FAG Control 525

03.07.012 at Druckwerkstatt, 2012
03.07.012 at Druckwerkstatt, 2012

About this press

Druckwerkstatt, Lenzburg, Switzerland

FAG Control 405

02.07.101 at Druckwerkstatt, 2012
02.07.101 at Druckwerkstatt, 2012

About this press

Druckwerk Basel, Basel, Switzerland

FAG Standard 550

Marcel Göhring on the FAG Standard 550  ‹This press used to belong to «Basler Schule für Gestaltung». We use it for proofing as well as for production.›

14955 at Druckwerk in Basel, 2012
14955 at Druckwerk in Basel, 2012

About this press

MIAT museum, Ghent, Belgium

FAG Control 405

Armina Ghazaryan on the FAG Control 405  ‹This press is used for proofing and production.›

About this press

Officina Typo, Modena, Italy

FAG Standard 550

Silvano Babini on the FAG Standard 550  ‹The 15312 was purchased by «Vaccari Zincografica Organisation Capitini of Modena» from Milano in 1972. We purchased the press vorm «Vaccari Zincografica Organisation Capitini of Modena» in 2007 after it has been abandoned for nearly 10 years. Since 2007 we have been using this press to print small posters and editions on a regular base.›

About this press

Drukwerk Cursief, Rotterdam, Netherlands

FAG Standard 550

Jaap Hoffmann with the FAG Standard AP 550
Jaap Hoffmann with the FAG Standard AP 550

About this press

Hand & Eye Letterpress, London, United Kingdom

FAG Control 525

Phil Abel on the FAG Control 525  ‹The press is used on a near-daily basis, for taking proofs of hand set material for scanning and emailing to customers, taking galley proofs of machine set material from the Composition caster, proofing and correcting interns' setting, and large jobs, or short runs that would otherwise need to be done on the Heidelberg SB cylinder press. Phil started using the FAG in 1992, when Hand & Eye was on the premises of Barnard & Westwood, but bought it outright from them in 2007.›

About this press

Whittington Press, Gloucestershire, United Kingdom

FAG Swiss Proof 52

Pat Randle on the FAG Swiss Proof 52  ‹This Press is in use every day at Whittington for the production of books, posters and all general 'jobbing' work. The Press is also used by local artists who use it to edition wood-engravings and lino cuts.›

Fag Swiss Proof 52 at the Whittington Press
Fag Swiss Proof 52 at the Whittington Press
View from above the wooden feed-board on the 52
View from above the wooden feed-board on the 52
Polyurethane rollers which we always prefer to rubber
Polyurethane rollers which we always prefer to rubber
A wood-engraver with block set up and ready to print
A wood-engraver with block set up and ready to print
Hand set type ready to print
Hand set type ready to print

About this press

OFFICINA HELVETICA, Biel, Switzerland

FAG Swiss Proof 40

Transportation of the press in 2010
Transportation of the press in 2010

About this press

Graphos, Uster, Switzerland

FAG Control 405

Sepp Schlegel on the FAG Control 405  ‹We use this press for mostly proofing and smaller sized jobs like business cards for visitors.›

02.04.075 at Graphos, Uster, 2012
02.04.075 at Graphos, Uster, 2012

About this press

Graphos, Uster, Switzerland

FAG Swiss Proof 52

Sepp Schlegel on the FAG Swiss Proof 52  ‹We use this press mostly for bigger sized wood- and linocuts. The cylinder sheet brush (BRO) has been disassembled over the time. This press has a Ink Duct with distributor (ES), which keeps the inking perfect for longer runs. The quality is remarkably good!›

06.01.013 at Graphos Uster, 2012
06.01.013 at Graphos Uster, 2012
ES – Ink Duct with distributor.
ES – Ink Duct with distributor.
ES – Ink Duct with distributor.
ES – Ink Duct with distributor.
Speed adjustment of the ink duct.
Speed adjustment of the ink duct.

About this press

R.B. Typolab (BfGZ/ZHdK), Zürich, Switzerland

FAG Swiss Proof 40

R. Barmettler on the FAG Swiss Proof 40  ‹We use this press mostly in the evening workshop «Elementare Typographie» for proofing, to check the spelling and for adjusting the letter spacing. We also use it for printing envelopes, stationery and small posters.›

04.03.036 at R.B. Typolab in Zürich, 2012
04.03.036 at R.B. Typolab in Zürich, 2012
R.B. with the 04.03.036, 2012
R.B. with the 04.03.036, 2012

About this press

R.B. Typolab (BfGZ/ZHdK), Zürich, Switzerland

FAG Control 525

R. Barmettler on the FAG Control 525  ‹We bought this press in the year 2000 from FAG Lausanne for 464.40 CHF. We originally used to run this press as a semi-automatic press, but since the fusion of the workshops we modified it to be hand-cranked for use by our undergraduate students.
After undertaking serious and systematic concept and design development work, we use this press for poster jobs up to the size of 50x70cm. We also use it for invitation cards and artistic experiments.›

16842 at R.B. Typolab in Zurich, 2012
16842 at R.B. Typolab in Zurich, 2012
Handcranked instead of power driven cylinder.
Handcranked instead of power driven cylinder.
Former electrical controls that now have no function anymore.
Former electrical controls that now have no function anymore.
Serial number on the side of the pressed. (The model plaquette has been lost with this press...)
Serial number on the side of the pressed. (The model plaquette has been lost with this press...)

About this press

R.B. Typolab (BfGZ/ZHdK), Zürich, Switzerland

FAG Control 405

R. Barmettler on the FAG Control 405  ‹Since this press has an adjustable press bed, we use it for very different paper thicknesses from 30g/m2 up to 300g/m2. After undertaking serious and systematic concept and design development work, we print mostly business cards, stationery, invitation cards, book covers and small posters. We also use this press for printing additional elements to existing brochures. This is the most used proof press at R.B. Typolab.›

02.05.69 at R.B. Typolab in Zurich, 2012
02.05.69 at R.B. Typolab in Zurich, 2012
RFP Register Base Plate.
RFP Register Base Plate.

About this press

babyinktwice, Zürich+Glarus, Switzerland

FAG Control 900

Dafi Kühne on the FAG Control 900  ‹This is the largest proofpress at babyinktwice. I use it for large poster works or for landscape-format split fountains. Lifting this press to the second floor was a hassle and I had to bring in a mechanic and a lift for 2 days. Hopefully I never have to move it again.›

05.02.077 on its plattform.
05.02.077 on its plattform.
05.02.077 ‹Block› standing on the street in front of my studio in spring 2010.
05.02.077 ‹Block› standing on the street in front of my studio in spring 2010.
The ‹Block› has been turned by 90° to lift it through the window on the second floor.
The ‹Block› has been turned by 90° to lift it through the window on the second floor.
There has been another crane inside my studio to pick it up.
There has been another crane inside my studio to pick it up.
Turning that 1500kg ‹Block› back to its feet.
Turning that 1500kg ‹Block› back to its feet.

About this press

babyinktwice, Zürich+Glarus, Switzerland

FAG Control 405

Dafi Kühne on the FAG Control 405  ‹This press is just 38 numbers "older" than my other FAG Control 405. I use this machine for proofing and also for production.›

02.07.030 just after cleaning and refurbishing.
02.07.030 just after cleaning and refurbishing.
Lifting the press into my studio in spring 2012.
Lifting the press into my studio in spring 2012.
The press during cleaning action.
The press during cleaning action.

About this press

babyinktwice, Zürich+Glarus, Switzerland

FAG Control 405

Dafi Kühne on the FAG Control 405  ‹This is the most used press at babyinktwice. I use this press for proofing during the design process and also for production of smaller poster works and postcards.›

02.07.068 at babyinktwice, 2012
02.07.068 at babyinktwice, 2012
From the serial number and with the help of Mr. Orville at FAG I found out that this press was produced and delivered in 1977.
From the serial number and with the help of Mr. Orville at FAG I found out that this press was produced and delivered in 1977.
Analog image of the press at the old printmaker I bought it from in 2009.
Analog image of the press at the old printmaker I bought it from in 2009.
Truck transfer. (Analog image)
Truck transfer. (Analog image)
Lifting it into my studio. (Analog image)
Lifting it into my studio. (Analog image)

About this press